What happens when we stop thinking that the primary function of a microphone is to capture sound and translate air pressure into electronic signal? What happens when we violate the basic rules and principles of audio engineering and recording technology?
In the project "Mike the Drums", rather than a pair of drumsticks, I play drums with a pair of microphones. The project explores the physical properties and affordances of the microphone and presents a more intuitive and analog way to approach audio technology. By giving a body to the microphone, the project reﬂects on the physical affection and corporal aspect of material culture and how this sensual attraction subverts the conventional modes of consuming technology.